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The Resource Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards

Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards

Label
Black theatre : ritual performance in the African diaspora
Title
Black theatre
Title remainder
ritual performance in the African diaspora
Statement of responsibility
edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Contributor
Subject
Language
eng
Cataloging source
DLC
Dewey number
791/.089/96073
Index
no index present
LC call number
PN1590.B53
LC item number
B59 2002
Literary form
non fiction
Nature of contents
bibliography
Label
Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Link
http://catdir.loc.gov/catdir/toc/fy036/2001055547.html
Instantiates
Publication
Bibliography note
Includes bibliographical references
Contents
  • Tejumola Olaniyan
  • What the twilight says : an overture
  • Derek Walcott
  • Caribbean narrative : carnival characters--in life and in the mind
  • Gus Edwards
  • Rebaptizing the world in our own terms : Black theatre and live arts in Britain
  • Michael McMillan
  • and
  • SuAndi
  • pt. 2. Mythology and metaphysics.
  • Praise/word
  • The fourth stage : through the mysteries of Ogun to the origin of Yoruba tragedy
  • Wole Soyinka
  • The Candomblʹe and Eshu-Eleggua in Brazilian and Cuban Yoruba-based ritual /
  • Marta Moreno Vega
  • Legba and the politics of metaphysics : the trickster in Black drama
  • Femi Euba
  • Art for life's sake : rituals and rights of self and other in the theatre of Aimʹe Cʹesaire
  • Keith L. Walker
  • Sycorax mythology
  • May Joseph
  • Paul Carter Harrison
  • Conjuring as radical re/membering in the works of Shay Youngblood
  • Joni L. Jones
  • Archetype and masking in LeRoi Jones/Amiri Baraka's Dutchman
  • Victor Leo Walker II
  • pt. 3. Dramaturgical practice.
  • The dramaturg's way : meditations on the cartographer at the crossroads
  • Deborah Wood Holton
  • Introduction to Moon marked and touched by sun
  • Sydnʹe Mahone
  • Kennedy's travelers in the American and African continuum
  • pt. 1. African roots.
  • Paul K. Bryant-Jackson
  • Mojo and the sayso : a drama of Nommo that asks, "Is your mojo working?"
  • Andrea J. Nouryeh
  • Ritual poetics and rites of passage in Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf
  • Jean Young
  • pt. 4. Performance.
  • Form and transformation : immanence of the soul in the performance modes of Black church and Black music
  • Paul Carter Harrison
  • The sense of self in ritualizing new performance spaces for survival
  • Beverly J. Robinson
  • Roots in African drama and theatre
  • Barbara Ann Teer : from holistic training to liberating rituals
  • Lundeana M. Thomas
  • Bopera theory
  • Amiri Baraka
  • From hip-hop to Hittite : part X
  • Keith Antar Mason
  • Members and lames : language in the plays of August Wilson
  • William W. Cook
  • Porque tu no m'entrende? Whatcha mean you can't understand me?
  • Ntozake Shange
  • J.C. de Graft
  • Performance method
  • George C. Wolfe
  • Afterword : testimony of a witness
  • Eleanor W. Traylor
  • The African heritage of African American art and performance
  • Babatunde Lawal
  • Agones : the constitution of a practice
Control code
2168162
Dimensions
26 cm.
Extent
ix, 418 p.
Isbn
9781566399432
Isbn Type
(cloth : alk. paper)
Lccn
2001055547
System control number
  • (OCoLC)ocm48263784
  • (OCoLC)48263784
Label
Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Link
http://catdir.loc.gov/catdir/toc/fy036/2001055547.html
Publication
Bibliography note
Includes bibliographical references
Contents
  • Tejumola Olaniyan
  • What the twilight says : an overture
  • Derek Walcott
  • Caribbean narrative : carnival characters--in life and in the mind
  • Gus Edwards
  • Rebaptizing the world in our own terms : Black theatre and live arts in Britain
  • Michael McMillan
  • and
  • SuAndi
  • pt. 2. Mythology and metaphysics.
  • Praise/word
  • The fourth stage : through the mysteries of Ogun to the origin of Yoruba tragedy
  • Wole Soyinka
  • The Candomblʹe and Eshu-Eleggua in Brazilian and Cuban Yoruba-based ritual /
  • Marta Moreno Vega
  • Legba and the politics of metaphysics : the trickster in Black drama
  • Femi Euba
  • Art for life's sake : rituals and rights of self and other in the theatre of Aimʹe Cʹesaire
  • Keith L. Walker
  • Sycorax mythology
  • May Joseph
  • Paul Carter Harrison
  • Conjuring as radical re/membering in the works of Shay Youngblood
  • Joni L. Jones
  • Archetype and masking in LeRoi Jones/Amiri Baraka's Dutchman
  • Victor Leo Walker II
  • pt. 3. Dramaturgical practice.
  • The dramaturg's way : meditations on the cartographer at the crossroads
  • Deborah Wood Holton
  • Introduction to Moon marked and touched by sun
  • Sydnʹe Mahone
  • Kennedy's travelers in the American and African continuum
  • pt. 1. African roots.
  • Paul K. Bryant-Jackson
  • Mojo and the sayso : a drama of Nommo that asks, "Is your mojo working?"
  • Andrea J. Nouryeh
  • Ritual poetics and rites of passage in Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf
  • Jean Young
  • pt. 4. Performance.
  • Form and transformation : immanence of the soul in the performance modes of Black church and Black music
  • Paul Carter Harrison
  • The sense of self in ritualizing new performance spaces for survival
  • Beverly J. Robinson
  • Roots in African drama and theatre
  • Barbara Ann Teer : from holistic training to liberating rituals
  • Lundeana M. Thomas
  • Bopera theory
  • Amiri Baraka
  • From hip-hop to Hittite : part X
  • Keith Antar Mason
  • Members and lames : language in the plays of August Wilson
  • William W. Cook
  • Porque tu no m'entrende? Whatcha mean you can't understand me?
  • Ntozake Shange
  • J.C. de Graft
  • Performance method
  • George C. Wolfe
  • Afterword : testimony of a witness
  • Eleanor W. Traylor
  • The African heritage of African American art and performance
  • Babatunde Lawal
  • Agones : the constitution of a practice
Control code
2168162
Dimensions
26 cm.
Extent
ix, 418 p.
Isbn
9781566399432
Isbn Type
(cloth : alk. paper)
Lccn
2001055547
System control number
  • (OCoLC)ocm48263784
  • (OCoLC)48263784

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